TMC
2011-12-06 02:34:39 UTC
http://www.cracked.com/article_19576_6-pop-culture-visionaries-who-get-too-much-credit.html
By:Jared Whitley December 05, 2011
Add to Favorites
We all know that our favorite games, comics, movies and TV shows are
probably collaborative affairs. There are dozens if not hundreds of
people involved in bringing a successful franchise to life. But we as
a culture just love the story of the creative genius so much -- one
brilliant madman spawning ideas fully grown from his forehead, with no
help or support from anybody -- that we heap tremendous praise on the
rare few who manage to do it.
These ... are not those people.
#6. Star Trek: Gene Roddenberry
Gene Roddenberry is world renowned for creating the original 1966 Star
Trek series, which grew over the years to spawn 11 (soon to be 12)
feature films, more than 700 episodes of television, dozens of video
games and countless books. Star Trek itself also gave birth to both
the modern fan convention phenomenon and the concept of slash fan-fic.
So ... thanks, we think?
Wikipedia
We can't help but feel a little abused.
Roddenberry was the first human whose ashes were taken into space, has
a star on the Hollywood Walk of Fame and even has an asteroid named
after him.
We basically gave the guy dominion over space for making a sweet TV
show, is the long and short of it. We assume he rules it with an iron
fist.
© 1976 Larry D. Moore
And, apparently, a plastic shirt.
Who Actually Deserves the Credit:
It's a sad fact of life: There's only enough room in the human heart
for one Gene at a time. That's why you probably haven't heard of Gene
Coon. He served as producer for the original Star Trek in its first
and second seasons, wrote eight of those episodes, and then wrote
another four for the third season. Among his contributions to the
franchise are the Klingons, the Federation, Starfleet Command and the
Prime Directive. He also wrote the episodes with Gorn (the lizard
man), Khan, those half-black/half-white aliens who taught us that
space racism is bad (again) and the inventor of the warp drive.
Basically, if there's something you remember from old Star Trek that's
not Uhura's miniskirt or Kirk's dropkick, Coon did it.
Memory Alpha
"But the two-handed punch? That was all Shatner."
William Shatner and Leonard Nimoy have both called Coon the unsung
hero of Star Trek. And without his over-arching structure and
influence, Star Trek probably would've just been a show about unitard-
wearing swingers screwing aliens across the galaxy. Which is ... kind
of awesome, actually. We call dibs on the rights.
We shall call it: Sexual Predators Lost in Space.
Getty
We wouldn't even have to change the leading man.
#5. Star Wars: George Lucas
Here's the general pop culture consensus on George Lucas: He sucks
now, but he once wrote and directed the first Star Wars trilogy, which
makes him another innovative, rebellious filmmaker whose creative fire
has tragically guttered out.
But here's the truth: Lucas couldn't lose it because he never had it.
Getty
Making prequel Anakin an autobiographical character.
Who Actually Deserves the Credit:
First things first: Lucas absolutely was the brilliant mastermind
behind the Star Wars movie ... prequels. I through III? That was all
Lucas. But IV through VI? The Empire Strikes Back and Return of the
Jedi were directed by Irv Kershner and Richard Marquand, respectively,
and both screenplays were written by Lawrence Kasdan. But that still
leaves Lucas as the writer/director of Episode IV, right? That's the
big one: The Star Wars that put the "Star Wars" in Star Wars.
But A New Hope wasn't entirely Lucas, either: A fellow USC film grad,
Gary Kurtz, who first collaborated with Lucas on his breakthrough
film, American Graffiti, was producer for both Star Wars and Empire.
Kurtz did more than an ordinary producer, however: Beyond running the
day-to-day operations of the films, Kurtz also ended up coaching the
actors (which is, technically speaking, the director's job).
The Chive
Pictured: Gary Kurtz (left). Not pictured: George Lucas.
Even minor characters like C-3PO weren't the juice of Lucas'
mindgrapes. Lucas originally wanted 3PO to be an "oily, car salesman
type" rather than our lovably gay robot butler friend. If that
character archetype sounds familiar, that's because Lucas would later
get his sleazy salesman in The Phantom Menace, in the shape of the
flying anti-Semitic stereotype, Watto. The actually likeable, not-
racist version of C-3PO that we know today was largely thanks to
Anthony Daniels. Daniels was originally hired as just a mime inside
the gold suit, with someone else providing the voice-over. But actor
Stan Freberg convinced Lucas to not use a different voice and stick
with Daniels -- which is particularly remarkable since Freberg was one
of the actors considered to replace Daniels' voice. That's right: A
struggling actor actually had to step up and sacrifice his own
livelihood just to kill one of Lucas' terrible ideas.
Getty
If all these men had committed ritual suicide, we might have been able
to avoid Jar Jar.
The man is like the original sin of filmmakers.
#4. X-Men: Stan Lee Invented the X-Men, But Only Kind Of
Stan Lee hasn't written much since the early '70s, so it's easy to say
that he gets too much credit for modern classics like the X-Men. And
easy stuff is great, so let's do that:
Stan Lee gets way too much credit for the X-Men.
Getty
"That's fine, Cracked. My VD has a higher net worth than your whole
damn magazine."
Who Actually Deserves the Credit:
While Stan Lee and Jack Kirby did create the core concept in 1963 --
teenage mutant superheroes living in a mansion helping Professor X
fight Magneto -- their vision of the team was so unsuccessful that
Marvel stopped creating new X-Men stories in 1969. They ran in
reprints for a while, until the book was finally given to unknown
writer Chris Claremont, who "transformed a single underachieving comic
into the best-selling superhero franchise of its time." He did this
with a host of new and reimagined characters, long, complex story
lines, a fundamental shift in the book's focus on wish-fulfillment and
so, so, so much mutant boning.
What does mutant healing do for his refractory period?
And Claremont did that for 17 straight years (Lee, by contrast, wrote
X-Men for less than four). Before Claremont left the franchise in
1991, he started a second monthly X-Men series, and #1 of that series
holds the Guinness World Record as the top-selling comic book of all
time.
Excelsior!
... is a thing that Chris Claremont doesn't say, which also puts him
one up on Stan Lee.
© Luigi Novi / Wikimedia Commons
http://www.cracked.com/article_19576_6-pop-culture-visionaries-who-get-too-much-credit_p2.html
#3. Dungeons and Dragons: Gary Gygax
Madeline Ferwerda
E. Gary Gygax is considered the father of not only Dungeons and
Dragons, but also the modern RPG industry itself. When, in reality, he
was more like the weird uncle who lives in the garage and keeps
clogging the toilet.
Alan De Smet
Gary, seen here explaining why THAC0 is superior to anything in 3.5 or
4th edition.
Who Actually Deserves the Credit:
During a nerd side quest, Dave Arneson and Gary Gygax had an epic
random encounter when they chanced to meet at Gen Con in 1969. Gygax
was working on something called Chainmail, which was a war simulator
only a bit more complicated than the average board game. With
Arneson's influence, Chainmail was adapted to include:
- Exploring dungeons
- Using a neutral judge/dungeon master
- Conversations with imaginary characters (NPCs) to develop the
storyline
- Hit points
- Experience points
- The concept of role-playing an individual character rather than just
rolling dice
So, basically, he put the "R" in RPG.
Kevin McColl
In fairness, Gygax was the man who introduced Cheetos and Mountain Dew
to tabletop gaming.
Then why did Arneson's name fail its saving throw against history?
Because in 1976, Arneson left TSR, the company that published D&D, to
pursue a career as an independent game designer. In 1977, TSR released
a new version of the game, cleverly titled Advanced Dungeons and
Dragons, and insisted that they didn't owe him any royalties. Arneson
started filing lawsuits, while Gygax just looked around, realized that
somebody was paying him to play D&D and tried his best not to rock
this boat that should not be.
Rocco Pier Luigi
"I just assumed I'd rolled a natural 20 at life."
#2. Lost: J.J. Abrams
Lost was an innovative epic that combined Survivor and The X-Files
with Pretty People and Sexy Pseudo-Dirt. And it was all thanks to the
genius of J.J. Abrams, creator of such other psychological science
fiction thrillers as, uh ... Felicity?
Getty
"I did something on Armageddon, but Mike had me too coked up to
remember any of it."
Who Actually Deserves the Credit:
When Lost first started, J.J. Abrams was splitting his time with
Alias, and he needed help. So Damon Lindelof came on board as
executive producer and head writer. Together, Abrams and Lindelof
fleshed out Lost's series bible and planned out the first few
episodes, before Abrams disappeared to shoot Mission Impossible 3.
Which, in all fairness, was the most taut and perfectly executed Tom
Cruise marathon yet. You really believed that guy was running, you
know?
Anyway, this left Lindelof holding a bag so heavy that he actually
considered quitting Lost. He probably would have, too, were it not for
the timely intervention of Carlton Cuse, who talked Lindelof out of
leaving and joined the show as an executive producer halfway through
Season 1. The two masterminded the whole series together afterward.
After the pilot, Abrams' only real credit is co-writing one episode,
whereas Lindelof wrote 45 episodes and Cuse 39.
Getty
Making them responsible for those fucking polar bears.
Good God: 45, 39? If you subtract one from the other you get six,
cubed is 216, two plus one plus six is nine ... 45, 39, six, 216,
nine. These numbers! These numbers have great and important meaning!
They're the entire basis of something amazing ... that we will now
never discuss again.
Hey look, Kate's ass!
Evangeline-Lilly.net
And all is right with the world.
#1. The Simpsons: Matt Groening
After writing a handful of episodes in the first few seasons of The
Simpsons, Matt Groening took a backseat approach to his creation,
becoming something like the J.D. Salinger of jaundiced Flintstones
analogues. But he came up with the concept and the characters, and he
plotted out the main arcs of The Simpsons, right? There's a reason
that you only associate one name with the world's longest-running
animated comedy: His.
Getty
"All I ever really wanted was to draw cartoon rabbits."
But maybe it's the wrong one ...
Who Actually Deserves the Credit:
During his 15 years on the show, George Meyer was the de facto
Simpsons guru. While he's only written 12 episodes, he has credit as a
producer, creative consultant, writer, or story editor on a staggering
350. Most shows don't even get to 350 entire episodes. Meyer's primary
contributions over the years have been behind the scenes: He was a
script doctor, which means that he does all the work and gets none of
the glory. But, as The New Yorker aptly put it, "[Meyer] has so
thoroughly shaped the program that by now the comedic sensibility of
The Simpsons could be viewed as mostly his."
Getty
Incidentally, he looks like Gollum.
Based on revelations from DVD commentaries, some of Meyer's
contributions include:
- The heartwarming ending to "And Maggie Makes Three"
- Ned Flanders' Leftorium
- "Whacking Day"
- The flying pig in "Lisa the Vegetarian"
- The lyrics to "Rock Me, Dr. Zaius" from the Planet of the Apes
musical
Don't pretend you can't sing every word.
- Comic Book Guy
- Tyson-esque boxer Drederick Tatum
- Mr. Burns answering the phone with "Ahoy - ahoy" instead of "hello"
It's the little things that make a legend.
So basically, all the quirky character development, strangely
authentic heart and bizarre leaps in logic that made the show what it
is. Meyer is also overwhelmingly responsible for the religious
elements of The Simpsons, having penned the classic "Homer the
Heretic" and conceived the hurricane that tests Ned Flanders' faith.
One scriptwriter (Jon Vitti) once had an episode featured in
Entertainment Weekly. They lauded praise on the author and
enthusiastically quoted their favorite bits from the show in depth.
Vitti would later go on record as saying that all the jokes EW
referenced -- every single one of them -- were actually added by
Meyer:
Getty
"I am the Overmind of Comedy."
Read more: 6 Pop Culture Visionaries Who Get Too Much Credit |
Cracked.com http://www.cracked.com/article_19576_6-pop-culture-visionaries-who-get-too-much-credit_p2.html#ixzz1fiZ3oWVO
By:Jared Whitley December 05, 2011
Add to Favorites
We all know that our favorite games, comics, movies and TV shows are
probably collaborative affairs. There are dozens if not hundreds of
people involved in bringing a successful franchise to life. But we as
a culture just love the story of the creative genius so much -- one
brilliant madman spawning ideas fully grown from his forehead, with no
help or support from anybody -- that we heap tremendous praise on the
rare few who manage to do it.
These ... are not those people.
#6. Star Trek: Gene Roddenberry
Gene Roddenberry is world renowned for creating the original 1966 Star
Trek series, which grew over the years to spawn 11 (soon to be 12)
feature films, more than 700 episodes of television, dozens of video
games and countless books. Star Trek itself also gave birth to both
the modern fan convention phenomenon and the concept of slash fan-fic.
So ... thanks, we think?
Wikipedia
We can't help but feel a little abused.
Roddenberry was the first human whose ashes were taken into space, has
a star on the Hollywood Walk of Fame and even has an asteroid named
after him.
We basically gave the guy dominion over space for making a sweet TV
show, is the long and short of it. We assume he rules it with an iron
fist.
© 1976 Larry D. Moore
And, apparently, a plastic shirt.
Who Actually Deserves the Credit:
It's a sad fact of life: There's only enough room in the human heart
for one Gene at a time. That's why you probably haven't heard of Gene
Coon. He served as producer for the original Star Trek in its first
and second seasons, wrote eight of those episodes, and then wrote
another four for the third season. Among his contributions to the
franchise are the Klingons, the Federation, Starfleet Command and the
Prime Directive. He also wrote the episodes with Gorn (the lizard
man), Khan, those half-black/half-white aliens who taught us that
space racism is bad (again) and the inventor of the warp drive.
Basically, if there's something you remember from old Star Trek that's
not Uhura's miniskirt or Kirk's dropkick, Coon did it.
Memory Alpha
"But the two-handed punch? That was all Shatner."
William Shatner and Leonard Nimoy have both called Coon the unsung
hero of Star Trek. And without his over-arching structure and
influence, Star Trek probably would've just been a show about unitard-
wearing swingers screwing aliens across the galaxy. Which is ... kind
of awesome, actually. We call dibs on the rights.
We shall call it: Sexual Predators Lost in Space.
Getty
We wouldn't even have to change the leading man.
#5. Star Wars: George Lucas
Here's the general pop culture consensus on George Lucas: He sucks
now, but he once wrote and directed the first Star Wars trilogy, which
makes him another innovative, rebellious filmmaker whose creative fire
has tragically guttered out.
But here's the truth: Lucas couldn't lose it because he never had it.
Getty
Making prequel Anakin an autobiographical character.
Who Actually Deserves the Credit:
First things first: Lucas absolutely was the brilliant mastermind
behind the Star Wars movie ... prequels. I through III? That was all
Lucas. But IV through VI? The Empire Strikes Back and Return of the
Jedi were directed by Irv Kershner and Richard Marquand, respectively,
and both screenplays were written by Lawrence Kasdan. But that still
leaves Lucas as the writer/director of Episode IV, right? That's the
big one: The Star Wars that put the "Star Wars" in Star Wars.
But A New Hope wasn't entirely Lucas, either: A fellow USC film grad,
Gary Kurtz, who first collaborated with Lucas on his breakthrough
film, American Graffiti, was producer for both Star Wars and Empire.
Kurtz did more than an ordinary producer, however: Beyond running the
day-to-day operations of the films, Kurtz also ended up coaching the
actors (which is, technically speaking, the director's job).
The Chive
Pictured: Gary Kurtz (left). Not pictured: George Lucas.
Even minor characters like C-3PO weren't the juice of Lucas'
mindgrapes. Lucas originally wanted 3PO to be an "oily, car salesman
type" rather than our lovably gay robot butler friend. If that
character archetype sounds familiar, that's because Lucas would later
get his sleazy salesman in The Phantom Menace, in the shape of the
flying anti-Semitic stereotype, Watto. The actually likeable, not-
racist version of C-3PO that we know today was largely thanks to
Anthony Daniels. Daniels was originally hired as just a mime inside
the gold suit, with someone else providing the voice-over. But actor
Stan Freberg convinced Lucas to not use a different voice and stick
with Daniels -- which is particularly remarkable since Freberg was one
of the actors considered to replace Daniels' voice. That's right: A
struggling actor actually had to step up and sacrifice his own
livelihood just to kill one of Lucas' terrible ideas.
Getty
If all these men had committed ritual suicide, we might have been able
to avoid Jar Jar.
The man is like the original sin of filmmakers.
#4. X-Men: Stan Lee Invented the X-Men, But Only Kind Of
Stan Lee hasn't written much since the early '70s, so it's easy to say
that he gets too much credit for modern classics like the X-Men. And
easy stuff is great, so let's do that:
Stan Lee gets way too much credit for the X-Men.
Getty
"That's fine, Cracked. My VD has a higher net worth than your whole
damn magazine."
Who Actually Deserves the Credit:
While Stan Lee and Jack Kirby did create the core concept in 1963 --
teenage mutant superheroes living in a mansion helping Professor X
fight Magneto -- their vision of the team was so unsuccessful that
Marvel stopped creating new X-Men stories in 1969. They ran in
reprints for a while, until the book was finally given to unknown
writer Chris Claremont, who "transformed a single underachieving comic
into the best-selling superhero franchise of its time." He did this
with a host of new and reimagined characters, long, complex story
lines, a fundamental shift in the book's focus on wish-fulfillment and
so, so, so much mutant boning.
What does mutant healing do for his refractory period?
And Claremont did that for 17 straight years (Lee, by contrast, wrote
X-Men for less than four). Before Claremont left the franchise in
1991, he started a second monthly X-Men series, and #1 of that series
holds the Guinness World Record as the top-selling comic book of all
time.
Excelsior!
... is a thing that Chris Claremont doesn't say, which also puts him
one up on Stan Lee.
© Luigi Novi / Wikimedia Commons
http://www.cracked.com/article_19576_6-pop-culture-visionaries-who-get-too-much-credit_p2.html
#3. Dungeons and Dragons: Gary Gygax
Madeline Ferwerda
E. Gary Gygax is considered the father of not only Dungeons and
Dragons, but also the modern RPG industry itself. When, in reality, he
was more like the weird uncle who lives in the garage and keeps
clogging the toilet.
Alan De Smet
Gary, seen here explaining why THAC0 is superior to anything in 3.5 or
4th edition.
Who Actually Deserves the Credit:
During a nerd side quest, Dave Arneson and Gary Gygax had an epic
random encounter when they chanced to meet at Gen Con in 1969. Gygax
was working on something called Chainmail, which was a war simulator
only a bit more complicated than the average board game. With
Arneson's influence, Chainmail was adapted to include:
- Exploring dungeons
- Using a neutral judge/dungeon master
- Conversations with imaginary characters (NPCs) to develop the
storyline
- Hit points
- Experience points
- The concept of role-playing an individual character rather than just
rolling dice
So, basically, he put the "R" in RPG.
Kevin McColl
In fairness, Gygax was the man who introduced Cheetos and Mountain Dew
to tabletop gaming.
Then why did Arneson's name fail its saving throw against history?
Because in 1976, Arneson left TSR, the company that published D&D, to
pursue a career as an independent game designer. In 1977, TSR released
a new version of the game, cleverly titled Advanced Dungeons and
Dragons, and insisted that they didn't owe him any royalties. Arneson
started filing lawsuits, while Gygax just looked around, realized that
somebody was paying him to play D&D and tried his best not to rock
this boat that should not be.
Rocco Pier Luigi
"I just assumed I'd rolled a natural 20 at life."
#2. Lost: J.J. Abrams
Lost was an innovative epic that combined Survivor and The X-Files
with Pretty People and Sexy Pseudo-Dirt. And it was all thanks to the
genius of J.J. Abrams, creator of such other psychological science
fiction thrillers as, uh ... Felicity?
Getty
"I did something on Armageddon, but Mike had me too coked up to
remember any of it."
Who Actually Deserves the Credit:
When Lost first started, J.J. Abrams was splitting his time with
Alias, and he needed help. So Damon Lindelof came on board as
executive producer and head writer. Together, Abrams and Lindelof
fleshed out Lost's series bible and planned out the first few
episodes, before Abrams disappeared to shoot Mission Impossible 3.
Which, in all fairness, was the most taut and perfectly executed Tom
Cruise marathon yet. You really believed that guy was running, you
know?
Anyway, this left Lindelof holding a bag so heavy that he actually
considered quitting Lost. He probably would have, too, were it not for
the timely intervention of Carlton Cuse, who talked Lindelof out of
leaving and joined the show as an executive producer halfway through
Season 1. The two masterminded the whole series together afterward.
After the pilot, Abrams' only real credit is co-writing one episode,
whereas Lindelof wrote 45 episodes and Cuse 39.
Getty
Making them responsible for those fucking polar bears.
Good God: 45, 39? If you subtract one from the other you get six,
cubed is 216, two plus one plus six is nine ... 45, 39, six, 216,
nine. These numbers! These numbers have great and important meaning!
They're the entire basis of something amazing ... that we will now
never discuss again.
Hey look, Kate's ass!
Evangeline-Lilly.net
And all is right with the world.
#1. The Simpsons: Matt Groening
After writing a handful of episodes in the first few seasons of The
Simpsons, Matt Groening took a backseat approach to his creation,
becoming something like the J.D. Salinger of jaundiced Flintstones
analogues. But he came up with the concept and the characters, and he
plotted out the main arcs of The Simpsons, right? There's a reason
that you only associate one name with the world's longest-running
animated comedy: His.
Getty
"All I ever really wanted was to draw cartoon rabbits."
But maybe it's the wrong one ...
Who Actually Deserves the Credit:
During his 15 years on the show, George Meyer was the de facto
Simpsons guru. While he's only written 12 episodes, he has credit as a
producer, creative consultant, writer, or story editor on a staggering
350. Most shows don't even get to 350 entire episodes. Meyer's primary
contributions over the years have been behind the scenes: He was a
script doctor, which means that he does all the work and gets none of
the glory. But, as The New Yorker aptly put it, "[Meyer] has so
thoroughly shaped the program that by now the comedic sensibility of
The Simpsons could be viewed as mostly his."
Getty
Incidentally, he looks like Gollum.
Based on revelations from DVD commentaries, some of Meyer's
contributions include:
- The heartwarming ending to "And Maggie Makes Three"
- Ned Flanders' Leftorium
- "Whacking Day"
- The flying pig in "Lisa the Vegetarian"
- The lyrics to "Rock Me, Dr. Zaius" from the Planet of the Apes
musical
Don't pretend you can't sing every word.
- Comic Book Guy
- Tyson-esque boxer Drederick Tatum
- Mr. Burns answering the phone with "Ahoy - ahoy" instead of "hello"
It's the little things that make a legend.
So basically, all the quirky character development, strangely
authentic heart and bizarre leaps in logic that made the show what it
is. Meyer is also overwhelmingly responsible for the religious
elements of The Simpsons, having penned the classic "Homer the
Heretic" and conceived the hurricane that tests Ned Flanders' faith.
One scriptwriter (Jon Vitti) once had an episode featured in
Entertainment Weekly. They lauded praise on the author and
enthusiastically quoted their favorite bits from the show in depth.
Vitti would later go on record as saying that all the jokes EW
referenced -- every single one of them -- were actually added by
Meyer:
Getty
"I am the Overmind of Comedy."
Read more: 6 Pop Culture Visionaries Who Get Too Much Credit |
Cracked.com http://www.cracked.com/article_19576_6-pop-culture-visionaries-who-get-too-much-credit_p2.html#ixzz1fiZ3oWVO